Revisiting Trauma In Postmodern Theater: A Study Of Harold Pinter’s The Birthday Party, Edward Bond’s Saved, Bryony Lavery’s Frozen And Sarah Kane’s Blasted
Yazarlar (1)
Dr. Öğr. Üyesi Merve Feryal ASHMAVY Sinop Üniversitesi, Türkiye
| Makale Türü | Özgün Makale (Uluslararası alan indekslerindeki dergilerde yayınlanan tam makale) | ||
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| Makale Dili | – | Basım Tarihi | 07-2022 |
| Makale Linki | https://scholar.google.com/scholar?cluster=15333425515978061758&hl=en&oi=scholarr | ||
| UAK Araştırma Alanları |
İngiliz Dili ve Edebiyatı
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| Özet |
| The aim of this study is to analyze the trauma and trauma representations in Harold Pinter’s The Birthday Party, Edward Bond’s Saved, Bryony Lavery’s Frozen and Sarah Kane’s Blasted which are the prominent examples of theater movements emerged in the second half of 20th century; Theater of Menace, Rational Theater, Horror Theater and In-Yer-Face Theater. These four playwrights are the leading names of the English Theater and the mentioned theater movements. In these plays, which were written in the period after the Second World War, taking into account the historical, cultural and sociological background of England, how the individual and collective traumas experienced in the society took place in the leading theater movements and plays will be examined in the context of trauma theory. The study has been revealed by considering that tragic events and past experiences provide the most appropriate … |
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