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| Dergi Adı | Medya ve Din Araştırmaları Dergisi | ||
| Dergi ISSN | 2636-8811 | ||
| Dergi Tarandığı Indeksler | TR DİZİN | ||
| Makale Dili | İngilizce | Basım Tarihi | 12-2025 |
| Cilt / Sayı / Sayfa | 8 / 2 / 499–520 | DOI | 10.47951/mediad.1789894 |
| Makale Linki | https://dergipark.org.tr/tr/pub/mediad/article/1789894 | ||
| UAK Araştırma Alanları |
İletişim Sosyolojisi
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| Özet |
| This article offers a sociological analysis of Heretic (2024) by examining how the film reproduces relations of truth, belief, and power in the post-truth era. Drawing on Foucault’s concepts of governmentality and truth regimes, Butler’s idea of performativity, and Baudrillard’s notion of hyperreality, the study analyzes the film’s representational strategies. Using qualitative discourse analysis and scene-based thematic coding, the findings are organized around four axes: (1) religious discourses are constructed as technologies of power; (2) truth is suspended through simulation and layers of representation; (3) the female body is governed through disciplinary and control practices; and (4) ethical resistance emerges through collective subjectivity and orientation toward the Other. The study argues that Heretic is not merely a thriller but a cultural text that exposes the fragility of truth, the politics of the body, and the possibilities of ethical subjectivation in a post-truth context. The significance of the study lies in its theoretical and analytical contribution to the fields of cinema and media sociology. Methodologically, the study employs a critical-interpretive design that combines qualitative discourse analysis, thematic coding, and scene-by-scene transcription. Codes were operationalized with clear inclusion and exclusion criteria, and analytic transparency was maintained in line with JARS-Qual standards. This approach ensures not only theoretical depth but also replicability for future research in media sociology. The findings reveal four central dynamics: (1) religious discourse operates as a technology of power that governs the subject; (2) truth is suspended … |
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| Google Scholar | 1 |