The Effect of Language and Sexual Liberation on Female Subjectivities in Emine Sevgi Özdamar’s The Bridge of the Golden Horn
Yazarlar (1)
Dr. Öğr. Üyesi Şermin SEZER TORAMAN Sinop Üniversitesi, Türkiye
| Makale Türü | Özgün Makale (Diğer hakemli uluslarası dergilerde yayınlanan tam makale) | ||
| Dergi Adı | MONOGRAF | ||
| Dergi ISSN | 2148-3442 | ||
| Dergi Tarandığı Indeksler | Art Index (Art Research Database, EBSCO) | ||
| Makale Dili | İngilizce | Basım Tarihi | 09-2019 |
| Cilt / Sayı / Sayfa | – / 12 / 189–206 | DOI | – |
| Makale Linki | http://monografjournal.com/sayilar/12/11-sermin-sezer-toraman.pdf | ||
| UAK Araştırma Alanları |
İngiliz Dili ve Edebiyatı
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| Özet |
| Emine Sevgi Özdamar’s The Bridge of the Golden Horn (2007),(Die Brücke vomGoldenen Horn, 1998) tells the story of a young woman, whose life vacillates between her homeland Turkey and Germany-the country she goes to as a guest worker with an ultimate aim of studying theatre there. The unnamed protagonist moves to Germany in search of finding a psychic space where she can achieve her subjectivity. In her becoming process all the grand narratives aiming at fixing one’s identity such as nationalism, gender binary, bourgeois and Marxism are problematized through her ironic narration. The protagonist is also the first person narrator and her diverse experiences both in Germany and Turkey are narrated in her unique employment of language. Her ability to create a unique language of her own allows her to free herself of patriarchal oppression, which is most explicitly reflected in reaching sexual liberation. This article attempts to |
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